A co-presentation of The Westfield Center for Historical Keyboard Studies
The winner of numerous honors and awards, and described as “Mozart Reincarnated,” Kristian Bezuidenhout is one of the most important keyboard artists of his generation. His West Coast debut at BFX 2014 was a revelation, both into Classical keyboard music and into the fortepiano as a means of interpreting it. Don’t miss this chance to hear him again, live.
Thursday, June 9, 5:00pm
St. Mark’s Episcopal Church– 2300 Bancroft Way
Buy Tickets: $46/40, $15 students under age 30 with ID
Kristian Bezuidenhout was born in South Africa in 1979. He began his studies in Australia, completed them at the Eastman School of Music and now lives in London. After initial training as a modern pianist with Rebecca Penneys, he explored early keyboards, studying harpsichord with Arthur Haas, fortepiano with Malcolm Bilson and continuo playing and performance practice with Paul O’Dette. Bezuidenhout first gained international recognition at the age of 21 after winning the prestigious first prize as well as the audience prize in the Bruges Fortepiano Competition.
Bezuidenhout is a frequent guest artist with the world’s leading ensembles including The Freiburg Baroque Orchestra, Orchestre des Champs Elysées, The Royal Concertgebouw Orchestra, Concerto Köln, The Chamber Orchestra of Europe, Netherlands Radio Philharmonic Orchestra and Collegium Vocale Gent, in many instances assuming the role of guest director. He has performed with celebrated artists including John Eliot Gardiner, Philippe Herreweghe, Frans Brüggen, Trevor Pinnock, Christopher Hogwood, Pieter Wispelwey, Daniel Hope, Jean-Guihen Queyras, Isabelle Faust, Viktoria Mullova, Carolyn Sampson and Mark Padmore.
Bezuidenhout now divides his time between concerto, recital and chamber music engagements, appearing in the early music festivals of Barcelona, Boston, Bruges, Innsbruck, St. Petersburg, Venice and Utrecht, and the festivals of Salzburg, Luzern, Edinburgh, Schleswig Holstein, Tanglewood & Mostly Mozart; and at many of the world’s most important concert halls including the Berlin and Köln Philharmonie, Suntory Hall, Theatre des Champs Elysées, Symphony Hall, Konzerthaus Vienna, Wigmore Hall and Carnegie Hall.
Since 2009, Bezuidenhout has embarked on a long-term recording relationship with Harmonia Mundi. Recordings include Mozart Violin Sonatas with Petra Müllejans, and Volumes 1, 2, 3 & 4 of the complete keyboard music of Mozart (Volume 1 was awarded a Diapason Découverte and Caecilia Prize and Volume 3 was recently awarded the German Preis der deutschen Schallplattenkritik). Other projects for Harmonia Mundi include Mendelssohn piano concertos with the Freiburg Baroque Orchestra and Schumann Dichterliebe with Mark Padmore – both recordings won the Edison Award. His recording of Beethoven violin sonatas with Viktoria Mullova (ONYX label) won an ICMA and an ECHO Klassik award for the best chamber music album of 2011.
Bezuidenhout was awarded the ECHO Klassik 2013 Award for Concerto Recording of the Year (Mozart Concertos with the Freiburg Baroque Orchestra) and nominated as Gramophone Magazine’s Artist of the Year 2013. Concerts in the 2013-14 season include appearances with the Mozarteum Orchester Salzburg, the Freiburg Baroque Orchestra, the Rotterdam Philharmonic and Arcangelo at the Tetbury Festival, as well as a play-direct programme with Tafelmusik. Recitals include Zankel Hall New York, Wigmore Hall London, Konzerthaus Berlin, Palau de la Musica Catalana Barcelona, Auditorium du Louvre Paris, and Oji Hall Tokyo, and the complete Mozart Sonatas at the Mozart Woche.